Sunday, April 8, 2012

Some introduction about Korean film that most symbol of China's national conditions




Some introduction about Korean film that most symbol of China's national conditions

Korean movies cause people attention, probably due to the year two works: romantic pure love "My Sassy Girl" and sexy "sex is zero and youth."
That time is the recession of Chinese cinema-quality large-area, the Korean in multiple similar faces, culture, national conditions, to compensate in the of Delicacies European and American film and cooking oil made ​​films out of stock blank, due to the flourishing of Korean cinema, but also let us find new always focused on the community. Always focused on the so-called, may not be clouds because of the logo and slogan, but also because of the holds-barred, obviously eyes watching are foreigners, how to felt that they like in the play we state that, but why this thing you made ​​films where also can not see ...



















"Extras" (Ren Chang Jung Jin Yuanxi) 1998
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Two walk-actor because of the old play on the play woods, want to raise a sum of money to achieve the actor's dream, they decided to deception with their acting skills to the community, only deceive those corrupt profiteers and social scum of dirty money Ironically, they defraud the original is not the only actor will play upright politicians everyday life in those who are acting, and acting a lot better than they are ...... the film with Stephen Chow "King of Comedy" is quite the same purpose, are by the lowly extras, render the secular human comedy of the way through, he served as the personal charm of Chang Jung was not Yeh, also less personal inspirational feelings, but its social criticism in Hong Kong film, so plainly corrupt profiteers mocking banter, the mainland is even more impossible to have that Hong Kong is only a "Hail the Judge" by the ancient metaphor of this "First Shot" directed reality has long been a rarity of extinction.


















"Happy End" (Cuimin Zhi, Jeon, Joo Jin-mo) 1999
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Middle-aged the Otaku husband found his wife out to raise the small white face, Tolerance is not fat clever trap to kill the wife and successfully framed her lover, then Enron to get out. Cui Minzhi frustrated middle-aged lonely Biequ anxiety interpreted with great accuracy, the story did not prevalent custom to let the police arrested the murderer, leaving a space of more reflection and regret. The tragedy of the extramarital affair itself is not very surprising, but reflects the collapse of the various social realities: unemployment, sexual liberation, traditional ethical concepts, the interpretation of how the family as a social cell step by step toward the collapse of destruction, these incentive to destroy families and has potential around me for many years, small, for even one night stands, more male than female, polarization, bread and love can not have both ... the film exchange with the "soft" and "weekend bed", "sex is zero" to "Tianxingseai set off each other," my girlfriend's boyfriend "Erotic structure emerged in the current marriage and love utilitarian impetuous people confused the status quo.



















"Mints" (Xue King seek, Moon So Ri, Jinli Zhen, Xu Qian) 2000
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Layer flashback back a career, marriage club defeat the 20-year life of the man's road, at every stage of their memories with a distinctive brand of the times, which show the negative impact of social change on each ordinary personality, psychological an old song reminds me of Chun-Bo Li of poverty and the rich ", which indignation, bitterness, frustration, from the liberation of the Cultural Revolution, reform and opening up Chinese society, I am afraid that the same application. The entire film is the concept of graduated hero suicide a "want to go back to the past but can not go back wail uphold echoed in my ears, in fact, if you can choose, I really wanted to use the material civilization retrogression exchange some difficult to pull the fallen spirit. In my mind, the late 1980s early 1990s is the best of times, but to go back.




















"Filling station bombing" (Lee Sung Jae, Liu five sex of Liu Zhitai, Jiang Chengzhen) 1999
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An absurd and bold comedy, through the process of the four adverse youth robbed a gas station, like assembly line to show the audience the bosses, workers, students, gangsters, police, star ... a variety of social roles human nature, reveal innuendo the drawbacks of the social existence of corruption disorder, bullying, rich or poor discrimination. Four hero, the painful memories of the four sections adolescence no doubt complain about their bad causes because no one care for them grow, but no cheers, no "refueling", which leads to rob gas station and trigger a series of fuel the ridiculous spoof of the event. The failure of education, social indifference, we can all identify with.


















"Vengeance is Mine" (Song Kang-ho, Shin Ha, Bae Doo Na) 2002
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Vengeance trilogy, Park Chan-wook the story is very cruel, to shift some of the details to deal with a very humorous, and after two ("Old Boy", "Sympathy for Lady Vengeance"), as people can not talk about non-judgment, the revenge cycle, it seems that everyone has nowhere Shen bitterness wronged, has chosen the same time the body with the dual role of the murderer and the victim, converted into the Chinese national conditions, it is like to sell bread to sell pork complaint with the colorings, the indictment of selling bread to sell lunch waste oil, complaints of selling lunch with a lean pork. Everyone is a plaintiff, each person is the defendant. What is the vicious circle? Obviously the director wanted to make this questioning and exploring, then jumped out of simple retribution, reported that when the emotion gradually extended to the class, but from the individual revenge, group confrontation, accusing the superstructure lead to social injustice, humble mutual bite dissatisfaction.




















"Koreans in Korea (Jeong Jun - ho, Yoo Hyun-Yong) 2003
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North Korean soldiers strayed into South Korea after the occurrence of a series of jokes, from the genre's essence, it is not seen with the kind of spoof of "Borat" a naive country bumpkin to a developed area a fool of myself, enjoy the superiority of the "advanced society" the same, the former Hong Kong films are also often able to see a similar plot, such as "cousin Ni Hao Ge series. But the film did not blindly poke fun teasing, showing the national feelings of the North and South Korea resonate with the objective of cultural conflict. Involving North and South theme of the film in South Korea, for example, "The JSA Joint Security Area", "meet the square," and so are all of the expression is a North-South People's ideas and desires. Compared to the unity of the Korean, we show the opposite trend, regional attacks are frequent, calling for unity rare.